In Borges’s poem “The Iron Coin,” the verses “In the shadow of another we look for our own shadow, in the mirror of another our own mirror” encapsulate the intricate and often convoluted relationship between Self and Other, subject to perpetual shifts and distortions, yet anchored by a persistent return to Self. The overarching theme of the exhibition, comprising oversized wire-woven elements (head and hand), seeks to interrogate the phenomenon of shadow within the context of fluid body-space dynamics. At its core, the exhibition comprises two essential components: active engagement from the audience and the continual, “repetitive” play of light. This interplay serves to both negate and transform the objects themselves (the hand and head), whose static presence in space and construction from wire material underscores the inherent duality of the artwork. The installation is designed to engage the viewer continuously. The body of the Ob - server becomes a canvas upon which shadows are cast, with the Observer’s shadow serving as an integral aspect of the work. It’s important to note a particular aspect of these shadows, which isn’t readily visible from a passive standpoint; this hidden dimension resides within the so-called “empty” space of the gallery. To perceive these nuances, one must actively immerse oneself in the space, moving to unveil new projec - tions. What distinguishes these projections is their fluidity, influenced by the perpetual motion of both the audience and the light source. What I find most compelling about the installation is that the observer, in turn, relies on the presence of Other to fully experience the artwork. Each encounter with the installa - tion unfolds as a series of unique, unrepeatable moments, underscoring the dynamic interplay between Self and Other in the act of perception.